Crossing borders: modernity, ideology, and culture in Russia and the Soviet Union

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Автор: Michael David-Fox

Название: Crossing borders: modernity, ideology, and culture in Russia and the Soviet Union

Язык: English

Издательство: Pittsburgh, Pa.: University of Pittsburgh Press

Год: 2015

Серия: Series in Russian and East European studies.

Формат: pdf

Размер: 11,2 mb

Страниц: 296

Crossing Borders deconstructs contemporary theories of Soviet history from the revolution through the Stalin period, and offers new interpretations based on a transnational perspective. To Michael David-Fox, Soviet history was shaped by interactions across its borders. By reexamining conceptions of modernity, ideology, and cultural transformation, he challenges the polarizing camps of Soviet exceptionalism and shared modernity and instead strives for a theoretical and empirical middle ground as the basis for a creative and richly textured analysis.

Discussions of Soviet modernity have tended to see the Soviet state either as an archaic holdover from the Russian past, or as merely another form of conventional modernity. David-Fox instead considers the Soviet Union in its own light—as a seismic shift from tsarist society that attracted influential visitors from the pacifist Left to the fascist Right. By reassembling Russian legacies, as he shows, the Soviet system evolved into a complex “intelligentsia-statist” form that introduced an array of novel agendas and practices, many embodied in the unique structures of the party-state. Crossing Borders demonstrates the need for a new interpretation of the Russian-Soviet historical trajectory—one that strikes a balance between the particular and the universal.

ACKNOWLEDGMENTS vii

INTRODUCTION

Threading the Needle: The Soviet Order between Exceptionalism and Shared Modernity

PART I. Russian and Soviet Modernity

1. Multiple Modernities vs. Neo-Traditionalism: On Ongoing Debates in Russian and Soviet History 21

2. The Intelligentsia, the Masses, and the West: Particularities of Russian/Soviet Modernity 48

PART II. Ideology, Concepts, and Institutions

3. The Blind Men and the Elephant: Six Faces of Ideology in the Soviet Context 75

4. What Is Cultural Revolution? Key Concepts and the Arc of Soviet Cultural Transformation, 1910s—1930s 104

5. Symbiosis to Synthesis: The Communist Academy and the Bolshevization of the Russian Academy of Sciences, 1918—1929 133

PART III. Mediators and Travelers

6. Understanding and Loving the New Russia: Mariia Kudasheva as Romain Rolland’s Cultural Mediator 163

7. A "Prussian Bolshevik"in Stalins Russia: Ernst Niekisch at the Crossroads between Communism and National Socialism 185

NOTES 221

INDEX 273