Grammar of the Edit

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Автор: Roy Thompson & Christopher Bowen

Название: Grammar of the Edit

Издательство: Focal Press

Год: 2009

Формат: pdf

Размер: 3.14 Мб

Язык: Английский

Страниц: 225

Книга на английском языке, посвященная фото- и видео-монтажу. В издании, адресованном начинающим редакторам, даны основные понятия монтажа, требования к результатам обработки отдельных кадров и сюжета в целом, компоновке изображения и звука и т.п. Весь материал прекрасно иллюстрирован и легок для освоения, а довольно полный словарь терминов поможет быстро восстановить в памяти содержание книги.

"Grammar of the Edit", is designed to indoctrinate the beginner - the novice or the newbie - into the world of motion picture editing. The rules, guidelines, and general practices presented herein will hopefully provide a new student of this craft with a solid understanding of the basics and perhaps whet the appetite for further exploration of both the discipline`s history and its trends toward tomorrow.

Regardless of which direction the fl edgling editor will grow, everyone needs to learn how to walk before they can run and this text should help defi ne the basic terms and clarify the common practices of editing. It does not mention specifi c computer-based video editing software or particular fi lm-editing tools. It does not wish to delineate between images captured on motion picture emulsion fi lm or on electronic analog or digital video mediums. The term "motion picture" may be used liberally to encompass a myriad of programming types whether shot for theaters, television, or the Web. A particular genre of fi lm or a specifi c type of television programming may be called out in an example to help illustrate a unique point. The goal of this text is to inform a person new to editing about the most generic basics of accepted editing practices, the reasoning behind them, and their common interpreted meanings. Good technique and not so good technique may be discussed and illustrated, but in the end there is no right and there is no wrong, there is only what works and what does not work - and why.